SCREAMS FOR TINA
Dark Greetings and a hearty welcome to our friends and fans around the globe. We hope you'll like the new MySpace home of SFT International and encourage you to visit often. Here you'll find information, images and sounds created by and from the personal files of the band itself. And now... on to a little info about the band.
"With their feet firmly planted in the gothic/Darkwave ethos, they manage to blend traditional rock sensibilities with post-punk angst, delivering a ballsy concoction that is distinctively their own" . . . Lowlife Magazine, UK
The above statement is probably the most accurate description to date of the music of a band that was started in mid-1985 Los Angeles amidst a tidal wave of flashy, roots-based glam rock outfits . . . the odds for a piece of the local action were slim, at best. " Screams For Tina," What kinda name is that???" was the usual, twisted-faced response. But behind the walls of a tiny storefront-sized space in the middle of Hollywood proper, the Virgin Prunes, Alien Sex Fiend & Princess Tiny Meat, were the sounds of choice. The "Seance" club, a small, midnight-to-dawn gathering of the city's dark-minded underground, lent support to the cause.
In early 1986, a self-produced EP "Strobelight Funeral" was released and quickly became a hot item with distributors and on local college radio. The EP was often aired in it's entirety, week . . . after week. Then, with the SFT moniker semi-established, the band made it's live debut to great response and were soon sharing the stage with other up and coming groups such as Human Drama, Ex-Voto and the then recently formed Jane's Addition.
Over the next 4 years, the band played it's ass off, building a sizeable local reputatuion and following at infamous underground clubs like the Krypt, Zombie Zoo, Hapihaus, Scream, White Trash a-go-go... eventually earning the title of "'Deathrock Kingpins" in the prestigious L.A. Weekly entertainment newspaper.
In 1990, differences saw the exit of the original guitarist. Then, a new line-up, (composed primarily of ex-members from the recently defunct Like Wreckage) continued on, eventually catching the attention of the then fledging Cleopatra Records in 1993. The SFT song "Eleven Eleven" was placed on a compilation called "The Whip" amongst many already famous underground and Gothic artists. Subsequent to the release, the label began receiving calls from around the U.S. inquiring who this new band was. The response was overwhelmingly positive, prompting the label to quickly throw the band's demos together and release them as their debut album.
Even in it's raw, unsweetened state, the album received glowing reviews in over 25 international genre-related publications and the band began gathering a solid, worldwide fanbase that is still in place.
Over the next few years, SFT shared stages with Christian Death, Sex Gang Children, Shadow Project, This Ascension, X, Caterwaul, These Immortal Souls and a host of others. Eventually, around 1997, both the local underground scene as well as the record business itself, went into a frustrating slump. Lacking substantial monetary support and places to play, the band felt it was beating it's head against the wall. A last gasp of air... in the form of a gig with Type O Negative, disappeared when the venue location was changed at the last minute... and the band packed it in.
Some recording of basic tracks on some new songs had taken place prior to the split, but were abandoned, as there seemed no point in continuing with them at that point. Everyone pretty much went their separate ways... but, Billy and Warren did stay in touch. Billy joined forces with some ex-members of AnA Black (whom we'd met at our shared rehearsal space in the famed Morrison Hotel building in downtown L.A.), and formed the heavy Industrial unit See Spot Kill; recording an E.P. with some totally awesome tracks on it. As time passed, though, the two grew restless at not having SFT to kick around any longer and picked up with the recording of the new material. Then with the aid of longtime friends and fans, the track "Life of Sin" ended up on a newly released compilation and started getting 5 star reviews. This led to a lengthy interview in NewGrave magazine. At the same time, we found that our Internet presence had grown by leaps and bounds over the years since the breakup. Soon, an email contact from our longtime fans in the Austrian band Kiss the Blade appeared.... they were starting a new label... Strobelight Records (affectionately named after our Strobelight Funeral E.P). We signed an interim deal with them and the "2003 A.D." E.P. was borne. The reviews were unanimously positive and within the ensuing year, articles, reviews and interviews on the band appeared in every top underground fanzine in Europe... all hailing the rebirth of SFT.
It is now 2007 . . . With enough water under the bridge . . . and ample time passed to have licked all wounds . . .(and there were many) . . . Screams For Tina is on the verge of releasing a new, full-length album. STAY TUNED!
